Work Sans is a typeface family based loosely on early Grotesques
Work Sans is a typeface family based loosely on early Grotesques, such as those by Stephenson Blake, Miller & Richard and Bauerschen Giesserei. The Regular weight and others in the middle of the family are optimised for on-screen text usage at medium-sizes (14px-48px) and can also be used in print design. The fonts closer to the extreme weights are designed more for display use both on the web and in print. Overall, features are simplified and optimised for screen resolutions; for example, diacritic marks are larger than how they would be in print. A version optimised for desktop applications is available from the Work Sans github project page.
The Work Sans project is led by Wei Huang, a type designer from Australia. To contribute, see
Work Sans is a typeface family based loosely on early Grotesques, such as those by Stephenson Blake, Miller & Richard and Bauerschen Giesserei. The Regular weight and others in the middle of the family are optimised for on-screen text usage at medium-sizes (14px-48px) and can also be used in print design. The fonts closer to the extreme weights are designed more for display use both on the web and in print. Overall, features are simplified and optimised for screen resolutions; for example, diacritic marks are larger than how they would be in print. A version optimised for desktop applications is available from the Work Sans github project page.
The Work Sans project is led by Wei Huang, a type designer from Australia. To contribute, see
Work Sans is a typeface family based loosely on early Grotesques, such as those by Stephenson Blake, Miller & Richard and Bauerschen Giesserei. The Regular weight and others in the middle of the family are optimised for on-screen text usage at medium-sizes (14px-48px) and can also be used in print design. The fonts closer to the extreme weights are designed more for display use both on the web and in print. Overall, features are simplified and optimised for screen resolutions; for example, diacritic marks are larger than how they would be in print. A version optimised for desktop applications is available from the Work Sans github project page.
The Work Sans project is led by Wei Huang, a type designer from Australia. To contribute, see
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- Moeten we nu meer online of toch offline marketing doen ?
- Sturen we nog fysieke post of doen we alles digitaal?
- Is online adverteren echt rendabel en hoe zit het met social media ?
- Zit onze klant te wachten op het zoveelste mailtje met nieuwsberichten ?
- Hoe bereiken we nieuwe, potentiële klanten?
- Wat is de belangrijkste drive van uw klanten ?
- Hoeveel van uw klanten zouden u aanbevelen, zijn uw ambassadeur ?
- Communiceert u in uw marketing wat u doet of wat u beweegt ?
- Komt u uw afspraken na of overtreft u klantverwachtingen ?
- Welk gevoel heeft uw klant eigenlijk bij uw organisatie ?
- Website om te vertellen wat we doen of communiceren met de klant ?
- Hoe houden we continuïteit in onze berichten?
- Hoe actief zijn we op Facebook, Twitter of moeten we ook Instagram gebruiken ?
- Hoe integreren we online met ofline marketingacties ?
- Welke toon slaan we aan als we met de klant communiceren ?
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C o n t a c t u s . . . h o w c a n w e i n s p i r e y o u ?
F i n d u s . . . i n U t r e c h t a n d B a r n e v e l d
Awkward but social
... and why we love to inspire customers. We have a passion for marketing and internet. We like to help the organisations of our clients to become even more successful. Successful in quantity, but also in quality. Better customer satisfaction and more customers become ambassadors. Because if growth comes from the vibe of your existing customers your organisation is really successful.
